This is such a great album, I listen to it all the time these days. The arrangement on the tracks is a bit more like on older albums such as Storm or Meta and a lot of tracks really hit the nail on the head because they have the right mix of longing and happiness in them, which is something that I missed on Bruise, but here it is again. Congratulations on a fine piece of work! Wurzelwerk
Tom's latest. Great stuff! Had some nice goodies with it if you caught the IndieGoGo campaign last year. 'Welcome, Apocalypse' is a very timely track today and probably will become timeless as time goes by. m-a-s_dust
A stellar cast of artists put their own shadowy spins on recent Bestial Mouths material—toward the goth club floor or into pure noise. Bandcamp New & Notable May 11, 2021
Two tracks from Buenos Aires artist Inalco2222 explore the grittier side of industrial music, with blown-out synths and driving beats. Bandcamp New & Notable Mar 7, 2021
Dissemblance, a one-woman EBM machine from Paris, spikes danceable minimal-synth grooves with gothic gloom and springy bass. Bandcamp New & Notable Dec 4, 2019
No More Instruments has pride of place as number 1000 in my collection. A very special album, a very emotional album and, quite possibly, perfect. Even now, after all these years, there have been few albums close to this. M.F.A.P.L., Skin and Black Again are all magnificent, but my favourite for everything that it meant to me is Breaking The Cliche. "No more being cool in the name of the cliche." ben bulcock